KEMP MARTIN (1942- )

Ouvrages et articles de Martin Kemp

Leonardo da Vinci: The Marvelous Work of Nature and Man, Harvard University Press, Londres-Cambridge (Mass.), 1981 ; « The Taking and Use of Evidence, with a Botticellian Case Study », in Art and Science, Samuel Y. Edgerton dir., in Art Journal, vol. 44, n⁰ 3 (numéro spécial), 1984 ; The Science of Art. The Optical Themes in Western Art from Brunelleschi to Seurat, Yale University Press, New Haven-Londres, 1990 ; « Taking It on Trust: Form and Meaning in Naturalistic Representation », in Archives of Natural History, vol. 17, n⁰ 2, 1990 ; Behind the Picture. Art and Evidence in Italian Renaissance, Yale University Press, New Haven-Londres, 1997 ; Immagine e verità, Il Saggiatore, Milan, 1999 ; Structural Intuitions: the Nature Book of Science and Art, Oxford University Press et University of California Press, 2000 ; Visualizations: the Nature Book of Art and Science, ibid., 2000 ; Leonardo, ibid., 2004 ; Seen/Unseen: Art, Science, and Intuition from Leonardo to the Hubble Telescope, ibid., 2006 ; Leonardo da Vinci: Experience, Experiment and Design, Victoria & Albert Museum, Londres, 2006 ; The Human Animal in Western Art and Science, University of Chicago Press, Chicago, 2007 ; Leonardo da Vinci: la bellaprincipessa.The Profile Portrait of a MilaneseWoman, Mandragora, Florence, 2012 ; Living withLeonardo. FiftyYears of Sanity and Insanity in the Art World and Beyond, Thames & Hudson Ltd, Londres, 2019.

M. Kemp dir., The Oxford History of Western Art, Oxford University Press, Oxford-New York, 2000.

Voir aussi

M. Baxandall, Ombres et lumières, traduit de l'anglais par P.-E. Dauzat, Gallimard, Paris, 1999.